2013年9月11日星期三

Film review--'A Letter from an Unknown Woman' (2005)






'A Letter from an Unknown Woman' is the directing tribute of famous actress Jinglei Xu in mainland China 2005. Adapted by Stefan Zweig (Austria writer 1881-1942) 's novel  of the same name, Jinglei switch the background to Beijing, the story starts from a cold winter in the year 1948. A man received a letter at his 41 years old birthday telling the love for him since the girl was 13, but he knows nothing about it. In the beginning of the film,The camera lingers on golden-hued shots of the letters and their elegant Chinese characters, among many letters pile in front of the man, there is one catches his attention. Thus, the voice-over of the female leading in the first person ensures the domination of the discourse power of the female character throughout the film. When she looks back upon the history between them, it appears that the girl shows the strong emotional dependence on the male character. No matter how contradictory it is in her inner world that even though by all means she tries to seduce the man, her inferiority and inhibition stops her saying her love out loud. Like the famous female writer Ailing Zhang said, when you get close to the ‘great lover’ in your mind, “you become lower and lower, until be buried into the ground.” In front of the deep-rooted paternity in the traditional culture she is unable to parry, as a result, she sacrifices her dignity, as well as the principal position of women against feudalism in this hopeless love. This film is serving as teaching material by negative example for feminism in Chinese history.



As a film adapted by a novel, the sex of the author became a fact that cannot be neglected during the research in regards to the relation between gender and the film itself. Some say the feminist point of view is counterfeit and Stefan virtually shaped an ideal female image for men. When recreating the story, it is not only the time and background has been changed, but also the feminist desire from a real woman. From her plain and calm confession it is easy to tell that all the things she has done is of her free will and no regret until she dies. Thus, it is her choice to refer herself to the male subject, instead of being restricted; it offers her a great psychological comfort and satisfactory base on the tribulation she is in. The influence of the traditional  patriarchal society is made evidence here.

Sexual relations between men and women are the most complicated nexuses in any time not merely because there are few rational considerations but it involves two parties with entire different mentalities. Modern sociologist Martha Nussbaum expounded her point of view in feminism in her book <Sex and Social Justice>: “liberalism emphasizes respect for others as individuals and further argues that A Alison Jaggar has elided the distinction between individualism and self-sufficiency.” In my opinion, the premise of feminism is always the   but it must be built on the fully understanding and respect of the disparities in mental and physical development. Instead of spreading the idea of ‘Feminism’ people in China overemphasize ‘Female liberation’ for decades , it is, by any means from the male’s point of view. At this stage, the women’s voices can only be heard by self-criticism in this land. 

2013年9月10日星期二

A perfect normal day video--fix sound sync problem

https://vimeo.com/73457279

There are some sound synchronize problem in the previous version, and I deleted the zoom shot (advised by my supervisor Phil) .

Project summary-- difficulties

This is the summary for some obstacles I encountered while producing the project 'A perfect normal day'


  • Script



This is the first attempt for me to write a script for short film. In the beginning I have read a plenty of articles and books in terms of skills and tips for creating a character and enrich its personality. For a truly effective screenplay, there must be a comprehensive context developed for any character such as backgrounds, culture, occupation, relationships and so on. Trivial and banalities are sometimes keys to shape a convincing figure. In film <The way we are> the director rebuilt a vivid environment of Tin Shui Wei community in Hong Kong where ordinary people (especially paupers) are living a relatively prosperous and contented life. Yet there is no major turning point in the whole film, it is clear that the idea director Ann tried to convey was the authentic living state, psychology and interpersonal relation. In my script ‘A perfect normal day’ I developed a background for the female character ‘Ann’: She is 67-year-old who was born and raised in Nottingham; she worked as a waitress in a coffee shop before she retired; when she was 22 she married a local fireman Martin Russell but he died in a fire in the year 1963 which was 5 years after their wedding. She has no children and lives a lonely life since then. The only person often pays visit to her is her niece Rachel, but Ann is not very fond of her…… After set the tone of the character I started to form the shape of the story, I have modified the story for seven times under the guidance of my supervisor Phil Nodding: I was still trying to find the right direction while writing the first two versions, set a dramatic reunion as the postman is the boy Ann’s husband saves before he died. The third version is the fundament of further changes—the story was basically there but both my supervisor and I were not sure about the ending of Ann saying  “ Clever move, son.” My actress Anna Mottram has more than forty years experience of stage play, after read the script she suggested that I don’t have to write too much conversations and make it almost a monologue. If there is too much talk she will not have enough space to perform and convey the character via facial continence, gestures and movements. “Sometimes less is more” is the number one rule she taught me—we together worked out the ending as the two figures: without saying anything, they sit on the sofa and smiled knowingly at each other since Ann already indicates that she knows postman Joe pretended to hurt his ankle by a doubtful “really” in a high-pitched voice. 



  • Cast


One of the difficulties of this project was to find suitable performers. Owing to the reason that “Ann” is the spirit of the story, I determined to find a professional actress for it. This is a student project and my budget was tight, it is hard to find someone who is doing it for a living. Luckily my supervisor Phil introduced Tanya Myers—an actress and director based in Nottingham to me. At that moment she was directing her stage show <Inside out of mind> in the lakeside centre in the University of Nottingham. After the show she took me to the actors and actresses thus I had the chance to hand out my scripts and introduce myself (it took me a long time to braced myself to do this ) and this project to them. After several days waiting I received emails and calls from three actresses showed their interest in performing character “Ann”. The best candidate turned out to be Anna Mottram -- a professional actress based in London and she has achieved a successful career in the industry for more than four decades. Two weeks later we had a meet up in London to discuss about the script and shooting schedule. She did not only gave me opinions on the language, but also encouraged me to be confident and calm on what I was doing.

In terms of finding the actor I had asked information from several tutors and my supervisors Phil, unfortunately I mixed those information up and missed the junior workshop. As a result I had to ask my course mate Mic for help. But his personality matched the character well and the video was highlighted by his performance. 

2013年9月9日星期一

Film review 'Gone is the One Who Held Me Dearest in the World ' (2002)





There are a significantly increase on female filmmakers in China in the twenty century, most of them are focusing on the issue of female consciousness of the time. The living condition of modern women is improved noticeably while, women themselves, are struggling with self-awareness. To explain ‘woman consciousness’, in my opinion, is a procedure that women are seeking for their own identities in opposition to male expectations of female identity, to become the ideal figure against the cruel existing circumstances. In western countries the development was steps ahead, in English writer Charlotte Brontë’s novel ‘Jane Eyre’ this concept was articulated in 1840s. Yet not until 1990s the revolution began in the mainland China. Director Liwen Ma was accomplished in expressing subtle sentiments, as well as keeping it real but not exaggerates. 'Gone is the One Who Held Me Dearest in the World ' is the film directed by female director Liwen Ma in 2002, adapted by the novel the same titleit's a story of a relationship between a gerontic mother and her daughter.

Middle-age female writer Jie Zhang did not realize that time was running out when her mother has going senile quickly and was finally diagnosed encephalatrophy and cataract. She starts to regret that for years she had neglected her mum and decided to take care of her at her last days. The film catches the difference between women in two generations. Most of the women born in 1930s were not well educated, they have strong family views, husband and children are forever their priority beyond themselves. Like Jie's mother in the film, she is considerate, thrifty but extremely stubborn that she prefer to use tower instead of toilet paper,as a result it leads to  urinary tract infections. Jie, as a representative  of women who born after the foundation of the People's Republic of China, has received a  proper education and have their own career. They are independent but on the other side, they are detached with their families. The female characters are all strong characters in their own ways. The main female character, Jie(the daughter), shows her strength in dealing simultaneously with the stress of her mother's illness, her job and her indifferent husband. Her mother is strong in her determination to have the surgery and her attempts to recover for keeping hope for her daughter and grand-daughter. The servant Xiao Yue shows her strength in continuing to serve Jie’s mother after her dementia is getting serious. In contrast, the male character in the film—the husband is presented as weak, selfish and unconcerned.

In terms of narrative the film is straight forward, tells a story in chronological order with voice-over of Jie's interior monologue like a diary, accompanied by the well-designed mise-en-scène to present the natural atmosphere. The camera perspective is aligned with the perspective of the female leading throughout the film , especially close-ups, convey the idea of “woman’s gaze”.


Reference


[2]











2013年8月25日星期日

Film review 'The Iron lady' (2011)





Female director Phyllida Lloyd emphases this film on Mrs. Thatcher's twilight years.  After all the glory days of being in power, she was nothing more than an lonely old lady who lived in the memories and the pining of her husband. Although in my opinion, this film is failed to make a full-scared judgement of her entire life, there are some highlights of strong emotional expression punches to the punchline in it. I used it as a reference in my project ' A perfect normal day'




2013年8月23日星期五

Research study:The Way We Are (HK 2008)

'The way we are' is the winner of 28th Hong Kong film award by one of the most famous Chinese female director  Ann Hui.  "After years we shouted the slogan of the equality of men and women out load, film is still a world which men predominates. In the last 30 years in Hong Kong film industry, we can always see a figure stands among those men-- she might not be fast and effective, she never earns a lot of money, the only thing is: she wants to do this. Although the achievements of her films are mixed, in Hong Kong, even Asia, no one can compare with her." 【1】She directed more than 20 films, emphasing on the subjects of female, society and ageing of population. Nowadays film is deemed to a 'product' rather than a form of art, fewer and fewer directors are able to express themselves without being bothered by 'market' nor‘box office data'. Ann, however, keeps her passion on the story about 'trivia' life of ordinary people 

The story of 'The way we are' is about a single mother Kui who works in the fruit and veg section of a supermarket with a meager income.The life was repeating day after day, she goes back home after work, cooks simple meals, asks her son if there's a free pack of tissue with today's newspaper...There is no dramatic conflicts in the entire film, however, if we digest every details of this film, the undertones bring all colors back to it. It is like a landscape painting of this neighborhood Tin Sui Wei, with solid shape and the sentiments.


There are two leading female characters in this film, single mother Kui and her neighbor Huan Although life is not smooth for them, they hold different attitudes to it. Kui was born in a  poor family in Hong Kong, when she was young, she worked hard in order to sponsor her brothers' education, after 30 years when all her brothers have successful careers , she, however, doesn't enjoy a   experienced the pain of her husband's death and still living in a poky apartment in poor Tian Shui Wei. In the face of the tough situation, she never complains nor oppressed by the reality, she even tries to help Huan with life trivia. On the other hand, Huan suffers a deep depression of her premature death of her daughter. With the set of this fragrant contrast and delicacy plot line this film pays tributes to ordinary and kind-hearted people who toil up and down the hills of life. 


There are a variety of personalities of female characters in Chinese film history. Humans are social animals, no one can avoid to bring symptomatic of his or her own time.  In the early 30's, the traditional Chinese culture was under a inroad of western thoughts, democracy and science were first introduced to this archaic countries, women were inspired to pursue the rights which were deprived from them for more than 3000 years; 50s was the time of war, women were fashioned into warriors without any personal sentiments. However, when in the 1990s, life attributes to the plain, most of us spend a life long being mediocrities. Huan and Kui, as the microcosm of the society, reflect the mentalities of different generation. 



When I was writing the script of my project‘A perfect normal day', I used some of the part as the reference in order to convey the similar emotion of being loneliness, defensive but deep down she is craving for love and care.For instance there are about 10 different scenes of having meals.Seemingly,they are unnecessary and flat but all the important information that reveals the relations and the underlying disagreements, more importantly, the characterizations are drawn in an indeliberately way. In my script there are scenes of my character Ann does the daily routine such as shopping, cleaning, taking pills  and watch the photo album,highlighted her isolated inner world. 

                        Clip 1 Huan cooks and eats alone



clip 2 Kui helps Huan carry to TV 


             clip 3 Huan spents a sleepless night before meeting her son in law





Reference 
【1】<Hong Kong film> magazine the first issue 11/2007


2013年8月18日星期日

A slow life (Practical work)

This is the experimental project of Diwen Xu ( another MA film practice student with Jools). The aim of this project is to show the natural life style of a person in slow motion.

http://www.youtube.com/watch?v=UQAnvz6NBuM

A perfect normal day video

This is the first edit version of ‘The perfect normal day' project on vimeo (Link below)

Ann Russell   Anna Mottram

Postman   Michalis Bountoulousis


Script  Xiaoyu Liu

Director Xiaoyu Liu

Editing Xiaoyu Liu

Sound recording  Tango Zhang
                          Xiaoying Cao

Camera  Diwen Xu

Assistant  Meng Lian

Location  Una Lu






https://vimeo.com/72448083

2013年8月8日星期四

A perfect normal day film specification

Film location: 39 Watkin street, Nottingham (Location provide: Una Lu) 

Film Date: 07/08/2013 (Sunny day 08:00--16:00) 

Film equipments:( Supported by Nottingham Trent University) 

   Camere (Cannon 7D*2)

   Tripod*1

   cinerig*1

   2*300w Red head lighting kits*1

   Zoomcorder*1

   Shotgun microphone*1 

   Sound record boom *1

Cast

   Ann -- Anna Mottram

   Postman -- Michalis Bountoulousis


Crew

   Director&script&pros  Xiaoyu Liu
   
   Camera   Diwen Xu 

   Sound recording   Tango Zhang& Xiaoying Cao

   Assistant  Meng Lian 

   Supervisor  Phil Nodding  







2013年8月4日星期日

" Broken spirits" -- Chinese families who lose their only child

The inspiration of my script “A perfect normal day" is from a a Chinese documentary about Chinese family who lose their only child and lifes of those parents. Belong is the link of the video and news report.


The Grief of Chinese Parents Who Lose Their Only Childre
Note: The bombings at the Boston Marathon on Monday, April 15, struck close to home for us. Our team is based in Boston; our office is just a block away from where the attacks took place. Thank you for praying for our city and particularly for the victims and their families. Please continue to hold them in prayer.

Last week we learned that the attacks in Boston brought immeasurable grief to a family in China.

Lu Lingzi, a 23-year-old Boston University graduate student, was one of three people killed in the Boston Marathon attacks on April 15. She was a native of Shenyang, China, and she was her parents’ only child.

ABC News described her parents’ grief after speaking with Lu’s father:

Speaking through sobs, Lu's father told ABC News in a telephone interview today from his home in northeast China, "This is an extremely painful time for our family."

He said the family has declined several interview requests because, "Every time we speak about this, it is like a dagger in our hearts."

Lu's father said he is in the process of obtaining a visa so he can travel to the United States to claim his daughter's body. She was the only child in a family that adhered to China's one-child policy, he said.

Lu’s parents had scraped together savings in order to help her pursue a graduate degree in statistics in Boston. Her father told of her numerous academic achievements with pride, making it clear that she had embraced every opportunity her parents’ sacrifices had given to her.

Like other only children in China, Lingzi Lu embodied all of her parent’s future hopes and their legacy. She was their promise for wellbeing in old age, too—in China, a child is a parent’s “Social Security”.

Now, Lu’s parents are childless. As Dr. Toni Falbo, a professor at the University of Texas, told ABC: “Everyone is devastated by the loss of a child, but this is like pulling the rug out from under them, without any obvious sense of recovery.”

Sadly, Lingzi Lu’s parents aren’t the only ones in China to face an uncertain future after losing an only child.

Chinese State Media Discusses Plight of Parents who Lose an Only Child

Late last month, over a hundred bereaved parents gathered in Shanghai to release balloons in memory of their children. The Shanghai Daily, a branch of China’s state-run media, covered the occasion and noted the reason for their unusual circumstance.

These parents experience grief, but they also struggle with an added frustration unique to China.  They are among at least 7,000 couples in Shanghai who have lost the only child they were permitted to have under the nation’s One-Child Policy.

According to Tang Chenjia, a social worker who helps such parents, most would have had more children if not for the policy. The Shanghai Daily wrote:

“We hope these parents could turn sorrow into hope through prayer," said Tang Chenjia, a social worker with Shanghai Star Harbor Center, an organization that helps parents whose children died. Tang said the parents usually turn pessimistic. Some became shut-ins or lose their health while others become neighborhood troublemakers.

Tang’s organization is asking the Chinese government to do more for parents who lose their only child. “Most of the parents are in their 50s and 60s, and had only one child due to China's one-child policy,” Tang told the Shanghai Daily.

Right now, the city government gives a stipend to bereaved parents of only children. Yet many do not meet the strict eligibility requirements—for instance, the Shanghai Daily noted that parents are only eligible for a stipend if their child dies after reaching 16 years of age. Even parents who do get this stipend find that it does little to ensure their care in old age. Shanghai gives parents a one-time payment of 5,000 RMB (about $810 USD), and then 150 RMB (about $24 USD) monthly per parent once the parents reach retirement age. In Shanghai, where the cost of living is soaring, the Star Harbor Center is pushing for the government to more—and it’s encouraging to see that the state media is publicizing their efforts.

Please keep Lu Lingzi’s family, and every other bereaved Chinese family, in your prayers.

Top Image: Parents release balloons in honor of their lost children. (Shanghai Daily)

Bibliography


2013年8月3日星期六

A perfect normal day script version 7-- reviewed language

Reviewed by my actress Anna Mottram to make language more natural.


EXT. STREET OF NOTTINGHAM DAY

It’s a typical cloudy and moody Wednesday morning in a quiet
neighborhood in Nottingham UK. ANN, 67, just goes back home
with two bags of groceries in her hands.

A young couple walks pass her, they are Ann’s neighbor Mr.and

Mrs. Li.
MRS.LI
Hi Mrs. Russell,How are you?

Ann gives them a brush off, she keeps her head down, walks
even faster.

IN. ANN’S HOUSE DOORWAY DAY

She fishes out keys from her pocket, opens the door.
ANN

I'mAm home. I got Ravioli today. That
check out boy was...( roll eyes and
sigh) The voucher had onlyjust expired
two days ago. God thisthe room is
filthy.


Ann takes off her coat, starts to do the cleaning. She wipes
the dinning table, mops the floor and waters the plants on
the table. (MONTAGE SEQUENCE)

ANN
At long last someone came to pick
up that dog. How many times has
that stupid animalmutt ruined your orchid
and yet that Greek woman just
wittersrattles on about how isn’their
little Bobby so adorable? (mimic
her voice) You know what...Guess what,she had a
stroke and may not be able to walk
again. (gloating)

Ann sits on the sofa, takes several pills out from a box on
the tea table and swallows them. She looks out of the
window, sighs.

INT.ANN’S LIVING ROOM DAY
Someone’s knocking at the door.

ANN
Who is it?
JOEY
Postman, could youopen the door please.
Ann slowly walks towards the door and opens it with a
impatient countenance on her face. Outside is a postman,
JOEY, 30. Today is the first day of work in this
neighborhood.

JOEY
Good morning
ANN
I don’t know you. where has
MR.Miller gone?
JOEY
MR.Miller retired last week.He
asked me to keep an eye on you and
I am ... I'm Joey..., nice to see you.
ANN
I don’t like you young man.
Hang on a minuteWait..You look familiar.You must be
one of thosesome kind of wanted menman on the tele!
JOEY
No no no madam I am definitely
not.I am Joey[U+FF0C]Joey Smith.
Nice to meetsee you.
Joey doesn’t seem to be upset with the comment,instead, he
looks at Ann with a gentle smile.
ANN
Oh my God stop smiling like thatthat smile.You’d
better watch out young man, I don’t
think you want to up setwanna mess up with my
husband....,isn't that right Martin?


Ann pauses for half minute, but there is no response. She
then grabs the box and shuts the door.
Ann opens the box, it appears to be a silk scarves from her
niece Rachel.
(CONTINUED)

ANN
Guess what is it Martin? silk
scarves from Rachel. Oh right she
went to Italy with her husband for
honeymoon. Have you ever heard of a
man who was allergic allergies to everything? Last
time they came over for dinner a
cockroach scared him half to deaththe hell out of
him.ennn.. Does it suit me?


INT. ANN’S LIVING ROOM EVENING
Ann is sitting on the sofa with an old photo album on her
hands,the television is on.

ANN
Look at you in that uniform, what
year was that? 1963? It really has
been a long time.


CAMERA ZOOM IN, CLOSE UP TO ANN’S FACE. IT IS TENDERNESS IN
HER FACE WHEN SHE LOOKS AT THE OLD PHOTO FROM ALBUM.
The camera moves on the wall, there’s a old newspaper
clipping with the headline: "Local fire fighter,37,died
after saving 3 people’s lifes"
Fade to black


INT. ANN’S LIVING ROOM DAY

ANN opens the door, Joey is standing outside with a big
piece of cake on his hand.

JOEY
Morning Mrs.Russell.
ANN
What?
JOEY
My mum made this...its strawberry cheese
cake, please have a trysome
Mrs.Russell!
ANN
You call thatit cake? Don’t make me
laugh young man. I don’t wanna end
up in hospital.

Ann shuts the door. Joey looks at the cake, shrugs

INT. ANN’S LIVING ROOM DAY
Ann is standing by the window, Joey walks pass.

JOEY
Good morning Mrs.Russell

Ann doesn’t reply, she turns around and draws the curtains.
EXT.THE PAVEMENT OUTSIDE ANN’S HOUSE DAY
Ann is on her way back home with two bags of groceries on
her hands. She is a little short of breath. Joey

JOEY
Let me help you Mrs. Russell.

Joey takes the bags before Ann responds him. Ann looks at
him, feels touched.
INT.ANN’S LIVING ROOM DAY
Ann’s watching at the newspaper. Someone knocks at the door.
Ann opens the door, Joey stands outside with a painful face.

JOEY
HiHello Mrs. Russell, I just fell down
and hurt my ankle, can I sit down for a while? awhile
in your home?
ANN
Come on in. I got something for
you.
JOEY
Thank you Mrs.Russell.
ANN
You can call me Ann.


The kettle is boiling. Ann makes tea for Joey. They sit on
the sofa, start chatting.(With background music) Ann seems
less defensive and for the first time in years, she smiles.
FADE TO BLACK


Type words
"It was only a smile, nothing more. It didn’t make
everything all right. It didn’t make anything all right.
Only a smile. A tiny thing. A leaf in the woods, shaking in
the wake of a startled bird’s flight.
But I will take it. With open arms. Because when spring
comes, it melts the snow one flake at a time, and maybe I
just witnessed the first flake melting."
’The kite runner’--Khaled Hosseini

2013年7月27日星期六

A perfect normal day script version 6


A perfect normal day
By
Xiaoyu Liu
xiaoyu.liu2012@ntu.ac.uk
(+44)07709 712736



EXT. STREET OF NOTTINGHAM DAY
It’s a typical cloudy and moody Wednesday morning in a quiet
neighborhood in Nottingham UK. ANN, 67, just goes back home
with two bags of groceries in her hands.
A young couple walks pass her, they are Ann’s neighbor
Mr.and Mrs. Li.
MRS.LI
Hi Mrs. Russell,How are you?
Ann gives them a brush off, she keeps her head down, walks
even faster.
IN. ANN’S HOUSE DOORWAY DAY
She fishes out keys from her pocket, opens the door.
ANN
Am home. I got Ravioli today. That
check out boy was...( roll eyes and
sigh) The voucher had just expired
two days ago. God the room is
filthy.
Ann takes off her coat, starts to do the cleaning. She wipes
the dinning table, mops the floor and waters the plants on
the table. (MONTAGE SEQUENCE)
ANN
At long last someone came to pick
up that dog. How many times has
that stupid mutt ruined your orchid
and yet that Greek woman just
rattles on about how isn’their
little Bobby so adorable? (mimic
her voice) Guess what,she had a
stroke and may not be able to walk
again. (gloating)
Ann sits on the sofa, takes several pills out from a box on
the tea table and swallows them. She looks out of the
window, sighs.
2.
INT.ANN’S LIVING ROOM DAY
Someone’s knocking at the door.
ANN
Who is it?
JOEY
Postman, open the door please.
Ann slowly walks towards the door and opens it with a
impatient countenance on her face. Outside is a postman,
JOEY, 30. Today is the first day of work in this
neighborhood.
JOEY
Good morning
ANN
I don’t know you. where has
MR.Miller gone?
JOEY
MR.Miller retired last week.He
asked me to keep an eye on you and
I am Joey, nice to see you.
ANN
I don’t like you young man.
Wait..You look familiar.You must be
some kind of wanted man on tele!
JOEY
No no no madam I am definitely
not.I am Joey[U+FF0C]Joey Smith.
Nice to see you.
Joey doesn’t seem to be upset with the comment,instead, he
looks at Ann with a gentle smile.
ANN
Oh my God stop that smile.You’d
better watch out young man, I don’t
think you wanna mess up with my
husband,right Martin?
Ann pauses for half minute, but there is no response. She
then grabs the box and shuts the door.
Ann opens the box, it appears to be a silk scarves from her
niece Rachel.
(CONTINUED)
CONTINUED: 3.
ANN
Guess what is it Martin? silk
scarves from Rachel. Oh right she
went to Italy with her husband for
honeymoon. Have you ever heard a
man allergies to everything? Last
time they came over for dinner a
cockroach scared the hell out of
him.ennn.. Does it suit me?
INT. ANN’S LIVING ROOM EVENING
Ann is sitting on the sofa with an old photo album on her
hands,the television is on.
ANN
Look at you in that uniform, what
year was that? 1963? It really has
been a long time.
CAMERA ZOOM IN, CLOSE UP TO ANN’S FACE. IT IS TENDERNESS IN
HER FACE WHEN SHE LOOKS AT THE OLD PHOTO FROM ALBUM.
The camera moves on the wall, there’s a old newspaper
clipping with the headline: "Local fire fighter,37,died
after saving 3 people’s lifes"
Fade to black
INT. ANN’S LIVING ROOM DAY
ANN opens the door, Joey is standing outside with a big
piece of cake on his hand.
JOEY
Morning Mrs.Russell.
ANN
What?
JOEY
My mum made this strawberry cheese
cake, please have a try
Mrs.Russell!
ANN
You call it cake? Don’t make me
laugh young man. I don’t wanna end
up in hospital.
Ann shuts the door. Joey looks at the cake, shrugs
4.
INT. ANN’S LIVING ROOM DAY
Ann is standing by the window, Joey walks pass.
JOEY
Good morning Mrs.Russell
Ann doesn’t reply, she turns around and draws the curtains.
EXT.THE PAVEMENT OUTSIDE ANN’S HOUSE DAY
Ann is on her way back home with two bags of groceries on
her hands. She is a little short of breath. Joey
JOEY
Let me help you Mrs. Russell.
Joey takes the bags before Ann responds him. Ann looks at
him, feels touched.
INT.ANN’S LIVING ROOM DAY
Ann’s watching at the newspaper. Someone knocks at the door.
Ann opens the door, Joey stands outside with a painful face.
JOEY
Hi Mrs. Russell, I just fell down
and hurt my ankle, can I sit awhile
in your home?
ANN
Come on in. I got something for
you.
JOEY
Thank you Mrs.Russell.
ANN
You can call me Ann.
The kettle is boiling. Ann makes tea for Joey. They sit on
the sofa, start chatting.(With background music) Ann seems
less defensive and for the first time in years, she smiles.
FADE TO BLACK
Type words
(CONTINUED)
CONTINUED: 5.
"It was only a smile, nothing more. It didn’t make
everything all right. It didn’t make anything all right.
Only a smile. A tiny thing. A leaf in the woods, shaking in
the wake of a startled bird’s flight.
But I will take it. With open arms. Because when spring
comes, it melts the snow one flake at a time, and maybe I
just witnessed the first flake melting."
’The kite runner’--Khaled Hosseini